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In a sea of writhing bodies, Marina Abramovic convinced me Aviva Studios makes sense

Maisha Kungu and Lizzy Owen in Marina Abramovic's Balkan Erotic Epic. Photo: Marco Anelli

'I can hear wailing from the funeral and the yelps of the women as they scare the gods with their genitals'

Dear readers – today's edition takes you inside the bloody, frenetic, erotic world of Balkan folklore, as conceived in the mind of Marina Abramovic, the most famous artist alive. Abramovic has apparently been living in the city centre for the past couple of months preparing her headline show at Aviva Studios, for whom this is the biggest moment since the venue launched two years ago.

Why the biggest moment? Because Balkan Erotic Epic is the kind of show this venue was created to stage and that Factory International, the arts company that runs it, has always promised us: epic in scale; soaring in ambition; able to attract the world's greatest artists and performers because there are few other places on the planet where you can put on work like this.

Who could we send along to review this major moment in Mancunian cultural history? Surely it had to be Sophie Atkinson, the North's hardest-to-please critic, who long-time Millers might remember sounded a note of scepticism when Aviva Studios opened its doors in 2023.

It's a brilliant (members-only) piece, not just about the show but about the venue itself. As Sophie writes: “As the rain fell on the vagina-flashing women and they screamed and fell on each other for support and splashed us while whirling round and the sun came out and they stretched out in delight on the fake grass, I found tears were rolling down my face.”


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Marina Abramovic is the kind of show Aviva Studios was built for. Did it come off?

By Sophie Atkinson 

In September last year, Factory International announced their line-up for 2025. There would be a fusion of Hamlet with the Radiohead album Hail to the Thief and the final instalment of an award-winning dance trilogy. Oh, and Marina Abramovic would be premiering a bold new performance work (albeit one based on a 2005 video work), Balkan Erotic Epic.

That this was the most enormous coup for Factory, the arts organisation that puts on the Manchester International Festival and programs work for Aviva Studios, was beyond question. Abramovic is arguably the world’s best-known performance artist: she’s mentored Lady Gaga, led crowds in a seven-minute silence at Glastonbury and even enjoyed a homage to her work in Sex and the City.

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